What Was Happening in the World While Lena Danya Was Producing Art

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've always taken an art history grade or spent fourth dimension in a fine arts museum, chances are you know a lot most the men who "defined" their mediums. As with other subjects, most of what we larn almost art history today notwithstanding centers on white men from Europe and, later, the United States. In reality, there are so many more artists of all genders to larn from and appreciate.

Here, we're specifically taking a look at only some of the women who have had lasting impacts on their art forms. From some of the art earth's virtually iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still have a manus — in changing the earth of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the work of painters similar Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman'southward Untitled Film Stills (1977–eighty). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps nearly well known for her series of Untitled Motion-picture show Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female picture show characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'south influence over our individual and commonage identities.

Yoko Ono

A nonetheless from the performance Cutting Piece, 1964, and a motion picture of the installation One-half-A-Room, 1967, every bit seen at the Museum of Mod Art in New York City in 2015. Photos Courtesy: Museum of Mod Fine art (MoMA)

You might first call up of Yoko Ono as a musician and activist, simply she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art motility, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Slice, was a performance she showtime staged in Nihon; Ono saturday on stage in a squeamish suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audition members to come up on stage and cutting away pieces of her clothing. "Fine art is like breathing for me," Ono has said. "If I don't do information technology, I start to choke."

Betye Saar

Betye Saar's Blackness Girl's Window, 1969 (total and particular). Photos Courtesy: Museum of Mod Art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking elective changed her entire career trajectory — and, in turn, office of the trajectory of art history.

Saar was role of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the pull a fast one on is to seduce the viewer," Saar has said. "If you tin get the viewer to await at a work of fine art, then you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the Earth Forum of Civilisation in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology'due south rare to detect someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is best known for exploring themes similar death and identity through her self-portraits. Kahlo ofttimes used bold, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, merely she'southward also known for her hyper-real sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which apply mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Offset Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald's work — and her signature grayscale skin tones — as she was the outset Black woman to complete a presidential portrait for the Smithsonian'southward National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her serial, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the female parent of American modernism, you likely acquaintance Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, merely mayhap, the skyscrapers of New York Urban center. In the 1920s, she was the showtime woman painter to gain the respect of the New York art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor'southward biennial exhibition All the Earth'south Futures, office of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Metropolis. She used her work to question society, identity, and racial politics by demanding the audience to confront truths nigh themselves. She oftentimes challenged people on the streets of New York to guess her race, socio-economic form, and gender — all while dressed equally a Blackness man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, film, and video work, much of which explores the relationship betwixt Islam'southward cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertizing billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that deed as meditations on various concepts, such as trauma, knowledge, and hope. One of her more notable works, I Odor You On My Peel, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore'southward art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. Equally an Anishinaabekwe artist, she works to raise sensation around the prejudice, violence, and attempted erasure of Ethnic North American culture. In 2005, she was the first Indigenous woman to correspond Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation fine art and sculptures — like the spider above — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual fine art were the main styles shaping the fine art globe.

Mickalene Thomas

Mickalene Thomas' A Niggling Gustation Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular civilisation and pop art, Mickalene Thomas frequently embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'due south seminal piece of work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early on Feminist Fine art movement. Every bit exemplified in her iconic work The Dinner Party, her installation pieces oftentimes examine the role of women in history and civilisation — in the 1970s and before. While at California Land University in Fresno, Chicago founded the commencement feminist fine art programme in the United States.

Augusta Barbarous

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, frequently of Black folks, Savage founded the Savage Studio of Craft in Harlem in 1932, and, a few years later, she became the first Blackness American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just look up her most famous piece of work, Interior Scroll, and you'll see what we hateful.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal guild.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's piece of work challenges traditional power relations. In addition to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this wait like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-correct copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilization.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's concluding public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Earth War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November eight, 2007 in New York Urban center. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the historic period of ix. She uses her photography to examine social norms, and, in doing and so, displays various subcultures in formal portraits — but in a fashion that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Even so from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Laurels at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes teaching is the path to liberation and uses VR and art to address global issues such equally racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who too specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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